ANTOINE GEIGER - SUR-FAKE, PARIS 2015

Mankind, which in Homer’s time was an object of contemplation for the Olympian gods, is now one for itself. Its self-alienation has reached such a degree that it can experience its own destruction as aesthetic pleasure of the first order. 
Walter Banjamin, The work of art in the age of of its mechanical reproducibility (1935)

ANTOINE GEIGER